![]() On the right side of the Edit window you have the Clips list which is most similar to the Project Browser, a place where all the clips in a session are showed. ![]() Midi is a little bit different, but I will get onto that in a minute. You can, and indeed must, perform audio file editing in the Edit window. Unlike Logic there is no separate audio track or sample editor. The Edit window is most similar to what used to be called the Arrange Window but is now called the Main Window. Pro Tools differs from Logic in that much of what you can do is done in two main windows, the Edit and Mix windows. Understanding Edit, Mix, Midi and Score Windows. Without trying to caveat myself into a position of safety here, this obviously isn’t meant to be a comprehensive critique of Pro Tools, there are many resources that do this, but rather just a few handy tips that can start you off. Throughout this document I’ll use DAW specific terms when discussing one or the other. Sometimes it is less obvious, for instance Logic’s Bounce In Place functionality can be achieved using Consolidate, Commit or Bounce Track, with slight differences between when and why you might used each of these. Sometimes this is obvious, for instance Key Commands in Logic are Keyboard Shortcuts in Pro Tools. Whilst a lot of the same tasks can be achieved in each DAW they are often achieved in different ways and the manuals for each sometimes name them differently. Part of learning the Avid way is getting used to their terminology. I don’t profess to be a Pro Tools wizard but after 15 years of using it I’ve picked up a few things and here is an overview for anyone who is familiar with Logic but wants to make the jump to the Avid way of doing things. Faced with the choice between selling my HD system and going native or learning Pro Tools software I did the latter. This was years before Universal Audio Apollos came along and I needed the low latency of a DSP-based system to track bands but I didn’t know the first thing about Pro Tools software. There is that "SSL Pro Convert" program, but I have never tried it and I don't know if it supports REAPER projects.As a long time Logic user when Apple discontinued the Emagic System Bridge, a nifty piece of software which allowed Pro Tools HD hardware to be used with Logic as the software front end, some years ago I was a bit stuck. There is no direct way to export/import projects between REAPER and PT.Ĭonsolidated audio wave files in PT and rendering tracks in REAPER would be the best way, I think. Sorry for the thread hijack, i was just wondering if what you are referring to above can help in this regard at all, or if you have any imput to whether what i need is possible? Thanx. Also, none of the tracks lined up appropriately, which i though should/would. There was project we tried moving to him at one point, i thing i had seperate wavs made of each reaper-made track, i also tried using the export function, but several things went wrong so we abandoned trying until i learned more.įor example, any effects i used didn't export obviously, so if he had the same vst's i would have to recreate the effect settings which would be time consuming. The reason being is my drummers engineer used protools. I have always wondered if he possibility exists of exporting to protools from reaper. Sorry, I am new to this concept and am not too knowledgeable, so pardon my ignorance, but.
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